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John Morris Georgy Gimel'farb Patrice Delmas |
Students Khurram Jawed Tariq Khan Waqar Khan Ratheesh Kalarot ... |
| Title | Disparity map | Occlusion map | Notes | |
|---|---|---|---|---|
| Train | train_disp.wmv (3.0 Mb) | train_occ.wmv (4.2 Mb) | 'Thomas' is running on an oval track: you see him change colour as he moves from the rear of the track towards the camera. | |
| Khurram | khurram_disp.wmv (2.8 Mb) | khurram_occ.wmv (5.7 Mb) | Note that the occlusion map shows Khurram's outline clearly even when he is in the background! | |
| Crowd (the largest crowd that we can fit in our lab) | dphw_twq.wmv (12.2 Mb) | Appended to disparity map | Here you see a pair of models moving in the scene. The occlusion map video for the same 'act' follows the disparity map. | |
| Ball A little basketball practice in the lab - luckily the student out of sight can catch! |
DPHW_ball.wmv (4.2 Mb) | Definitely real-time! We can capture the ball in flight! Next time we'll try a serious game like cricket! | In this video, the rectified left and right images, the disparity map and the occlusion map play simultaneously. | |
| Contour Maps | ||||
| Ball (again!) | ContourMap.wmv (3.6 Mb) | Again, we capture the ball in flight! |
Main panel - foreground contours. Background contours have been removed for clarity. Left panels - original left and right images; disparity map and occlusion map. As the ball comes closer, it separates from the thrower (the depth resolution is lower in the distance - a natural consuquence of stereo geometry) and becomes clearly outlined. There is a small amount of motion blur and de-focussing as the ball reaches the catcher. |
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| Credits | ||||
| SDPS algorithm | Georgy Gimel'farb||||
| Hardware implementation of SDPS | John Morris||||
| Real time rectification and overall system | Khurram Jawed||||
| Calibration, contour maps | Tariq Khan||||
| Publications |
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| Working Papers | None currently | ||||||||||||||||||||||||||||||
| Resources | Bibliographies | ||||||||||||||||||||||||||||||
| Stereo papers - Main | |||||||||||||||||||||||||||||||
| Stereo papers - Aux D | |||||||||||||||||||||||||||||||